Adrian Ludwig Richter
German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
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Adrian Ludwig Richter Details of The Schreckenstein Crossing oil painting


Details of The Schreckenstein Crossing
nn05 Gentle music of a bygone age
Painting ID::  30318 		Adrian Ludwig Richter
Details of The Schreckenstein Crossing
nn05 Gentle music of a bygone age
   
   
     
Adrian Ludwig Richter Details of The Schreckenstein Crossing oil painting


Details of The Schreckenstein Crossing
nn05 Flight from a loathsome world
Painting ID::  30319 		Adrian Ludwig Richter
Details of The Schreckenstein Crossing
nn05 Flight from a loathsome world
   
   
     
Adrian Ludwig Richter Details of The Schreckenstein Crossing oil painting


Details of The Schreckenstein Crossing
nn05 Native soli transfigured
Painting ID::  30320 		Adrian Ludwig Richter
Details of The Schreckenstein Crossing
nn05 Native soli transfigured
   
   
     
Adrian Ludwig Richter Details of The Schreckenstein Crossing oil painting


Details of The Schreckenstein Crossing
nn05 A state of bliss that made us silent
Painting ID::  30321 		Adrian Ludwig Richter
Details of The Schreckenstein Crossing
nn05 A state of bliss that made us silent
   
   
     
Adrian Ludwig Richter Church at Graupen in Bohemia oil painting


Church at Graupen in Bohemia
mk87 1836 Oil on panel 56.7x70.2cm Hanover,Niedersachsische Landesgalerie
Painting ID::  33909 		Adrian Ludwig Richter
Church at Graupen in Bohemia
mk87 1836 Oil on panel 56.7x70.2cm Hanover,Niedersachsische Landesgalerie
   
   
     
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     Adrian Ludwig Richter
     German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.

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